![]() The old director of the hospital is retiring, and his replacement is the very young Dr. Constance Petersen, a psychoanalyst at a mental hospital in Vermont. This 1945 Alfred Hitchcock film sees Bergman playing Dr. Most actors would kill to have a final performance as good as this one. Ingrid Bergman's Oscar nomination was well deserved. Both Ullmann and Bergman give incredible performances, verbally sparring with each other throughout the entirety of the film (it all takes place in one house), revealing deep and damaging truths to one another. The other daughter is disabled, paralyzed, and has trouble forming coherent words. One of the daughters, played by Liv Ullmann, holds a lot of resentment towards her mother. Ingrid Bergman plays Charlotte, a past-her-prime concert pianist reconnecting with her daughters. Both director and actress were nominated for Academy Awards her for Best Actress him for Best Original Screenplay. Yes, two of cinema's most notable Swedes both have the same last name and the same first initial. It was Ingrid Bergman's last film acting role before her death, and it was her only collaboration with legendary Swedish director, Ingmar Bergman. It wouldn't take too much imagination to picture Nancy as the secret mastermind behind the movie's wickedness.This 1978 film is notable for several reasons. "Gaslight" presents Lansbury as a vaguely sinister character. She was not hardened by constant exposure to murder. In that show, Lansbury was warm, motherly, and approachable. Watching "Gaslight" will be a startling experience for those who, as this author did, grew up watching Lansbury on her long-running and comforting murder mystery series " Murder, She Wrote" (1984 - 1996). It could be argued that it is she who ensures that the film is scary and not merely effective. With Lansbury, "Gaslight" tips in the direction of horror. Without her condescending stares, her mock-confused prodding, and her wraithlike presence, "Gaslight" would be a mere psychological hothouse. While Bergman skillfully plays the fear and confusion of Paula and Boyer comes across as a charming but untrustworthy lothario, it's Lansbury who carries the film's menace. It was a clarion call for a talented actress whose career would go on to span decades and earn multiple awards.Īlthough only occupying a supporting role, Lansbury practically carries the tone of "Gaslight" all on her own. She's wry, sardonic, perhaps even a little bit nasty. ![]() The audience cannot be sure how much Nancy hates Paula, or how much she might be complicit in the crime. In every scene, Nancy is seemingly projecting madness directly into her co-star's brain. It won Oscars for Bergman and for its art direction.Īlso nominated was a 19-year-old, first-time professional actress named Angela Lansbury as the maid, Nancy, a vaguely sinister presence constantly lurking behind Bergman. The MGM-produced " Gaslight" was a smash hit upon its release and garnered seven Academy Award nominations, including Best Picture. That version starred Ingrid Bergman in the Bella role, renamed Paula, and Charles Boyer as the caddish husband. The 1940 version, however, is not nearly as well-remembered as George Cukor's far more popular remake only four years later. ![]() That version starred Anton Walbrook and Diana Wynyard, and it was a modest hit. "Gas Light" was first adapted to film in 1940 by director Thorold Dickinson.
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